Nobody ever told me it would smell like that. I just thought about the past to the present, speaking on different hustles and money in the attic, the way it smells after being up there two years. When you hear the rain drops, it’s like you’re really outside. I wanted the production to feel really out in the open. That’s the black market trade, the hustle itself. Rick Ross Reveals Cover Art for New Album ‘Black Market,’ Wants to Record With Adele I think that’s real dope when the music comes about organically like that. We finished the record maybe a week or two after we had seen each other in Miami. Me and him took time out and had us a private discussion about a couple of different things, and the beautiful thing about that is this record was birthed from that conversation. It was a real private business event but it was an extravagant yacht among a few wealthy people, a few companies. When I think of CeeLo Green, I think about previous collaborations, like “Tears of Joy.” I said, ‘Wow, that was one of my most powerful records ever.” The cross between this energy from “Tears of Joy” to me discussing what means the most for me, this should be a brilliant record. You wakin’ up, greeting the morning with “Free Enterprise,” and by the time you put your feet down from the bed, what’s running through your mind is what means the most to you, what’s your most valuable asset, which is my family. I wanted my album to be a walk through my mind, and that’s what that was. Once again, being incarcerated, you have time to sit down and realize what means the most to you. I feel he may be my best collaborator when it comes to delivering that undeniable soulful sound, and he does it in such a classy way.” It most definitely (set the tone) and I recorded it the way it played out in my mind. My feet are on the ground and I just wanted to take you through my timeline. Everything is a go, so I made the title “Free Enterprise.” It costs you nothing to dream as big as you can. I wanted the album to feel like you’re walking into a room and just completely open your mind to all the possibilities. “That was one of the first records I actually wrote over the summer I was incarcerated. Peek into Ross’ mind as he breaks down Black Market track-by-track for Billboard below.Ī Day in the Life With Rick Ross Handling Beefs, Biz and Bae The streets feel that, and they appreciate that, and that’s what I love the most.” “I took my time, and I put some big records together, some dope ass ideas, concepts. “I’m just excited the streets excited,” he says. As goes one to-the-point line on Port of Miami 2’s “Gold Roses”, “I know it seem odd/But money amazin’.Lil Pump Made His MAGA Commitment Permanent With This Donald Trump Tat Even as he made room to reflect on mortality (2019’s “I Still Pray”), race (2015’s “We Gon Make It”) and politics (2017’s “Santorini Greece”), you always knew where his heart was. Ross worked steadily throughout the 2010s, easing into a more reflective version of his persona-in 2018, he’d ended up on life support after collapsing in his home-without sacrificing any of his outsized grandeur. By 2009, he’d started the Maybach Music Group, following the rapper-to-boardroom path paved by artists like JAY-Z and Birdman by 2010’s Teflon Don, his skills as had caught up to his vision. In 2008, his brief past as a corrections officer-18 months, starting at age 19-surfaced, loading new coals on the ever-ongoing conversation about biography and authenticity in rap. But it’s good TV nevertheless.īorn William Roberts in 1976, Ross started rapping in his early twenties, with “Hustlin’”-then self-released-sparking a bidding war that landed him on Def Jam. “Am I really just a narcissist/’Cause I wake up to a bowl of lobster bisque?” he asked on 2011’s “I Love My Bi***es”. Even as he toned down the supervillainy, Ross remained larger than life, luxury incarnate. Few artists were as perceptive in capturing the genre’s turn towards new-money excess, the move from the streets-in Ross’ case, Carol City, Florida-to the exurbs, to cars that outprice helicopters and houses the size of airplane terminals. When Rick Ross’ “Hustlin’” came out in early 2006, it almost seemed like a joke: How could you make something so gonzo and still keep a straight face? This wasn’t rap as lyricism or verbal documentary, it was rap as pro wrestling, summer blockbuster.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |